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SO VILE A SIN by BEN AARONOVITCH and KATE ORMAN

 

'What does it say?'
'"Shoot the winged man with five quick bullets".'
"What does it mean?"
'Ah,' said Joanna, 'I'm afraid that it rather depends on which school on interpretation you follow.' p.134

 

This is the last novel in the 'Psi Powers' series in the New Adventures. Due to Ben Aaronovitch's hard drive crashing, it also proved to be the last NA, since publication was delayed. And what an ending! In many ways, although rescued by Kate Orman, 'So Vile a Sin' is typical Aaronovitch Doctor Who. The story is vast and huge, involving elements left behind from the Time Lord war with the Great Vampires, to the 30th century conflict between various factions in the Terran empire (home to Roz and Cwej). Manipulating everyone is a particularly nasty bunch...
Because this novel comprises so many elements (from previous NAs too), it can get a bit confusing in places. Especially when the Doctor fills the ill-effects of a 'probability intercession' . This involves thousands of Doctors being created throughout time and space, each one having made a different decision than the current incumbent (i.e. like one who took Salamander's place as dictator of Earth). A multitude of Doctors is confusing enough, but the action also takes place over what seems to be a vast number of places. But the novel is never less than very entertaining. You read on, confident that these puzzles will be resolved.
There are nice touches, like the inclusion of the Unitatus soldiers, but there are also irritations. The Doctor kills the Empress of the Galaxy just because she asks him to. This killing, which is later, absurdly, swept under the carpet - the Doctor could have been accused of 'trreason' for not doing so - is quite reminiscent of the destruction of Skaro, but without the big guilt trip. If there's one reason for preferring Terrance Dicks, it's that his version of the Doctor doesn't do this sort of thing. A large part of the novel is also quite derivative, stealing a lot of the style of Frank Herbert's work. 'Dune' had Dukes and the Landsraad, 'So Vile a Sin' has Dukes and the Landsknetche. Still, 'Dune' could hardly be described as 'original', as it also derives from a great number of other texts, knowingly employed. The 'Dune' element seems to be continuing in the current strand of novels (i.e. 'Dead Romance'), where Chris seems to be turning into another Duncan Idaho, and maybe Babylon 5 has influenced too.
This is the novel where Roz snuffs it. This may be one huge spoiler (it certainly ruined Roz's day), but the book has been out for two years, and is now out of print. This does make the end a bit mawkish though. Bernice Summerfield seems to lose all character in her diary entries, and the Doctor has a rather embarrassing heart attack at the funeral (all leading to 'Lungbarrow', I suppose). All in all, it's a glorious piece of space opera , in the style of Iain M. Banks (yes, another influence!). But it still proves that great fiction can be crafted from the deviations of derivations. In this, 'So Vile a Sin' is typically Doctor Who at its (his) best.

 


Kevin Mahoney

 

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