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Visit our Apostolos Doxiadis page, for Apostolos Doxiadis biography, Apostolos Doxiadis bibliography, Apostolos Doxiadis articles, and a “Uncle Petros and Goldbach’s Conjecture” reading guide

 

This is a highly stimulating novel about the mathematician as artist, following the trend laid down by Simon Singh's 'Fermat's Last Theorem'.  And it is attractive to watch artists suffering, as Petros Anargyros does here.  For Petros dares solve Goldbach's Conjecture...

  This Conjecture states that "EVERY EVEN NUMBER GREATER THAN TWO IS THE SUM OF TWO PRIMES".  This is an apparently simple mathematical problem, yet it has remained unsolved for two hundred and fifty years.  The delight of this novel is that it seems to go over all the options in layman's terms.  For a student of Cultural Studies, this conjecture is especially attractive, since one of our founding principles is articulation - making bridges between two separate entities, crossing barriers, making links.  So, to me, it seemed a mistake that Petros should write all prime numbers as horizontal lines, since this representation denies the dynamic in the formation of any odd number - that of two even numbers being bridged by the integer of 1, so that it could form an upward arrow head ^ (it could also form a downward arrow head, but that looks too negative, and I haven't got that symbol on my keyboard).  Doxiadis has chosen an excellent problem, in my view, for a mathematical novel, since Goldbach's Conjecture is a literary quandary as well as a numerical one.  I do have some literary complaint about Doxiadis though: he makes Petros more romantic than his successful peers, and the narrator writes his account in the style of a math paper.  It may as well be a cryptic crossword clue (very apt in the case of one of the mathematicians Doxiadis mentions), with the answer lying in the body of the question.  This novel certainly makes you want go out and try and prove Goldbach's Conjecture - you'll wake up in the middle of the night, thinking about it.

  At first glance, it seems very appropriate that 2 (the only even prime), is mentioned in the conjecture.  After all, it's common sense that there can only even be one even prime.  If there was an even prime number larger than 2, then it could be divided by 2, and therefore it could not have been prime in the first place.  The fact that there is no even prime larger than 2 goes very much in favour of Goldbach's Conjecture, since this discounts a possible exception. 

  Whenever I do a review of a novel, I'm also reviewing the novelist, trying to find out what makes them tick.  I think that it's suitable to apply the same methods to Goldbach.  Who was he?  Why did he use these particular words?  My task is slightly more difficult here, since Goldbach didn't write his conjecture in English, and adapted it from the time that he first mentioned it in a letter to Euler.  But the grammar of the conjecture still gives us clues, and insights into his mind.  Part of the conjecture is that "EVERY EVEN NUMBER IS THE SUM OF TWO PRIMES" with 2 being an exception, since 1 isn't a prime.  This is true for 2+2=4, 3+3=6, 5+3=8, 7+3=10, 7+5=12.  However, for even number 14, you can have both 11+3=14, or 7+7=14.  This trend for having more than a single set of primes possible of creating  an even number continues beyond 14.  This is probably what lies at the heart of Goldbach's Conjecture:  he speculated that the bigger the even number, the more likely it would be that he was correct, since the number of chances would multiply.  In this way, it seems, Goldbach's conjecture is very much dependent on the 'unnatural' operation of multiplication.  He and Euler both knew and wrote about Fermat's work on chance.  For Goldbach, this meant that he could quite happily make his conjecture, because the chances of his being proved wrong were so small, (probably smaller than the chance of someone winning the lottery and being killed by a meteorite on the same night!).

  However, this is too simplistic.  It is not true to say that the higher the even number, the higher the number of pairs of primes.  Look at these:

10,0028=has 627 pairs of prime numbers under Goldbach

10,0030=972 pairs

10,0032=121 pairs

10,0034=670 pairs

10,0036=594 pairs

10,0038=119 pairs

10,0040=815 pairs

So, this is where some doubt comes in to play, since it does not follow that the biggest even number ever created will have the largest number of prime number pairs in its construction.  However, there does seem to be a pattern in the allocation of pairs.

  This is important, because it shows that prime numbers are not just random occurrences.  The unwritten principle behind the Eratosthenes' Sieve which Petros uses is that prime numbers are predictable.  Petros also mentions that Euclid proved that prime numbers are infinite.  I want to go further and say that ALL PRIME NUMBERS ARE INFINITELY PREDICTABLE - which is probably why Doug Lenat's AM programme found Goldbach's Conjecture so boring. The one big problem with Goldbach's Conjecture is that there seems to be no magic formula with which to prove it, with the only way forward seeming to be to check every even number in existence, to see if Goldbach is right.  But there's a never-ending amount of even numbers...

  This is where Kurt Godel comes into Petros' story.  His 'Incompleteness Theorems' state that some current mathematical problems can never be resolved, which is linked to his 'undecidability theorem'.  Much of the drama in Doxiadis' novel comes from this disclosure.  So, many mathematicians believe Goldbach to be unsolvable, because we are never going to be able to check every even number.  But these mathematicians could take a lesson from literature and Doxiadis.  There is left a certain element of doubt at the end of 'Uncle Petros', but there is also definite closure.  What I'm saying is that it is not the numbers which are uncertain:  it is we who have doubts.  This is where the human factor comes into mathematics.  If we want certainty in mathematics, then it is up to us to create that certainty.  Could we not create new axioms?  Do we want to be positive or negative?

  So, I say that Goldbach's Conjecture is true because it has been proved on the finite stage many times.  I want to move the burden of proof away from 'we don't know whether is is true' to 'we know this to be true because it has not been proved otherwise'.  Therefore, Goldbach's Conjecture is more likely to be true than most conjectures made today, because it has survived two hundred and fifty years without being disproved.  Fermat's Last Theorem was a similarly famous problem which Andrew Wiles proved positively  after an even longer period of time.  It is somewhat appropriate to include a time factor here, since Goldbach was an historian, as well as a mathematician.  Geometry may well tell us all we need to know about a three dimensional sphere, but can it tell us how long that sphere may last?  (Is there a mathematics of entropy?).  Time has been an important factor in the development of maths, with some ideas lasting thousands of years, whilst others are instantly dismissed.  Time, like maths and language, is an artificial construct which we have created in order for us to make some sophisticated  sense of the world.  We start from the finite, and head for infinity when we choose.

  Now, as I've said before, Goldbach's Conjecture is provable on the finite level.  For every new even number we create, there is a finite amount of prime number pairs with which to construct it.  After all, all we're really interested is in the last two digits of this new even number at most.  If we go back to the very beginning, we can see the bare bones  of how the smallest even numbers are made, e.g. 11+11=22, 7+7=14, 3+3=6, 3+5=8, 13+7=20.  From this, we can see that it is possible to narrow down the amount of prime number pairs which will go into the creation of an even number, since some pairs are more essential than others.  For instance, any even number ending in '0', must have a pair of primes whose final digits are '3' and '7'.  There always seems to be a balancing act in this system, e.g. 17+3=20, 27+3=30, 37+3=40, 47+3=50, 57+3=60, 67+3=70.  However, once we get to 77, we have a problem, since 77 is not a prime number.  Here, the two primes compensate for this, and become 67+13=80, with each still having '3' and '7' as their final digits.  The relationship between the two primes is very flexible.

  Goldbach's Conjecture has already tried to deceive us by writing of 'THE SUM' (singular), whereas we know that there are usually more than one set of prime numbers involved in the creation of an even number (another possible reason for Goldbach starting off at 2, since the lower even numbers can only be created by a single pair).  I think it deceives us further by making us pool all our efforts into discerning how even numbers are created, without even thinking about how prime numbers are constituted also.  So, here's another one of my conjectures:  EVERY TIME AN EVEN NUMBER IS CREATED, A NEW PRIME NUMBER IS CREATED ALSO.  Basically, what I'm saying here is that even numbers are crucial in the creation of prime numbers, and that EVERY CONSECUTIVE EVEN NUMBER FORMS PART OF A PRIME NUMBER - you can't have one without t'other.  They're at it like rabbits, are prime and even numbers, the perfect reproduction system, unhampered by acts of God - which is just as well, if you want multiplication to work.  So, if the new even number is 'E' then a previous prime is 'p', and the sum of this pair is the new Prime 'P':

E+p=P.

  However, I suspect that the reproductive system of numbers has the same potential to be controlled and regulated by humans, as that of rabbits is.  Or, in other words, the destiny of numbers is in our hands.  We can be as certain, or as uncertain of numbers as we collectively decide to be.  There is a choice for mathematicians as there is for novelists: shall we create a closure for our narrative, or shall we leave the end open?  Which would be more thrilling for our audience?

  Okay, let's go back a long way.  Euclid proved that prime numbers are infinite.  It follows to reason then, that even numbers are infinite also.  Therefore, THERE IS AN EQUAL AMOUNT OF PRIME AND EVEN NUMBERS.  "What's that?" you say.  "An equal number of prime and even numbers?  Don't you mean odd, rather than prime?"  At first glance, to say that there is an equal number of prime and even numbers is ridiculous, because if you look at the number 100, there are 50 evens within it, and  25 primes.  The point is, I'm using my imagination here to take a leap in the dark - if every time a new even number is created, a new prime is created also, then there must be the same number of primes as evens, stretching off into eternity, never-ending.  Therefore, if we want to create meaning, we must create closure, we must erect an arbitrary barrier - 'thus far, and no farther'.  Within a closed system of whole numbers, much more productive work can be done.  There can still be great fun in trying to transgress the border, to see if we can go beyond this a new 'zero', if we want to.

  So, what I'm suggesting is that we try to replicate the effect of infinity on a finite scale.  Our last integer ('F' for 'le fin', 'the finish') will be a prime number which can grammatically be divided into 2 - the equal numbers of primes ('p') and the same numbers of evens ('e'), where 'F' is in two places at once, the final even number ('e') and the final prime number ('p'): e+p=F.  Note that 'F' does not equal the sum of 'e' and 'p' - what we're recognising here is that 'e' and 'p' are of equal significance.

32+32=131, where e=64, and p=131

33+33=137, where e=66, and p=137

34+34=139, where e=68, and p=139

35+35=149, where e=70, and p=149

36+36=151, where e=72, and p=151

72+151=151

72+x=151

x+151=151

  Here, if 'F' equals 131 (that is, the 32nd prime), then 'e' equals 64 (the 32nd even number).  'F' always has to be a prime number, because if 'F' was an even number, then we couldn't arrive an equal number of primes and evens.  So, what we are saying is that if we arbitrarily assume that 151 is the last number ever ('F'), then Goldbach's conjecture is correct, because it had already been proved up to the even number 72.  We can now create the positive statement, "where F=151, Goldbach's Conjecture is true".  So, what mathematicians can now do is to conclusively prove conjectures and theorems such as Goldbach's by trying to replicate 'Infinity' on a smaller scale, to create 'F', to create certainty, to create closure. 

Kevin Patrick Mahoney

 

Visit our Apostolos Doxiadis page, for Apostolos Doxiadis biography, Apostolos Doxiadis bibliography, Apostolos Doxiadis articles, and a “Uncle Petros and Goldbach’s Conjecture” reading guide

 

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