William Shakespeare was the author of the following plays: “The Comedy
of Errors” (1590), “Titus
Andronicus” (1590), “The Taming
of the Shrew” (1591), “Henry VI
part 1” (1592), “Henry VI
Part 2” (1592), “Henry VI
Part 3” (1592), “Richard
III” (1592), “Love's
Labour's Lost” (1593), “Two
Gentlemen of Verona” (1593), “A
Midsummer Night's Dream” (1594), “Romeo and
Juliet” (1595), “Richard II”
(1595), “King
John” (1596), “The
Merchant of Venice” (1596), “Henry IV
Part 1” (1597), “The Merry
Wives of Windsor” (1597), “Henry IV
Part 2” (1598), “As You
Like It” (1598), “Henry V”
(1599), “Much
Ado About Nothing” (1599), “Julius
Caesar” (1599), “Twelfth
Night” (1600), “Hamlet”
(1601), “Troilus
and Cressida” (1602), “All's Well
That Ends Well” (1603), “Measure
For Measure” (1604), “Othello”
(1604), “King
Lear” (1605), “Macbeth”
(1605), “Antony
and Cleopatra” (1606), “Timon of
Athens” (1606), “Pericles
Prince of Tyre” (1607), “Coriolanus”
(1608), “Cymbeline”
(1609), “A
Winter's Tale” (1610), “The
Tempest” (1611), and “Henry VIII”
(1613).
Who was William
Shakespeare?– an article by Paul V. Hartman
Family
Relations in William Shakespeare's King Lear
Iago's motivations in William
Shakespeare's Othello
A
Review of the Sam Mendes production of William Shakespeare's Richard III
Shakespeare
under two Elizabeths - Elizabeth I and Elizabeth II, queens of England -
William Shakespeare - English theatre – Ralph Berry’s essay
Heroes
& Villains: Peter Ackroyd on William Shakespeare
Literary
class struggle: the bard's identity crisis – Stephen Goode’s essay about
how little we know about Shakespeare’s life
Introduction:
Whither Shakespop? Taking Stock of Shakespeare in Popular Culture – Elizabeth
Abele’s essay
Shakespeare
and integrated casting – Ralph Berry’s essay
Shakespeare's
supposed 'lost' years – A. L. Rowse’s essay
The
Catholic bard: Shakespeare & the 'old religion' – Clare Asquith’s essay
Shakespeare
and the Catholic network – Ralph Berry’s essay
Shakespeare's
links to Machiavelli and Montaigne: Constructing intellectual modernity in
early modern Europe – Hugh Grady’s essay
The
merchant of Avon: the best guide to 21st-century economics is a 16th-century
poet - William Shakespeare – Frederick Turner’s essay
"Shakespeare,
he's in the alley": My Own Private Idaho and Shakespeare in the streets
– Hugh H. Davis’s essay
Shakespearean
authorship in popular British cinema - Jane E Kingsley-Smith’s essay
Reading
(and Writing) the Ethics of Authorship: Shakespeare in Love as Postmodern
Metanarrative – Todd F. Davis and Kenneth Womack’s essay
Shakespeare
in Heterolove - Sujata Iyengar’s essay about “Shakespeare in Love”
The
"Brute" part in Hamlet and Julius Caesar refigured--regally - Robert
F Fleissner’s essay
"Hamlet,
Part Eight, The Revenge" or, Sampling Shakespeare in a Postmodern World
– Kay H. Smith’s essay
Promethean
Apparatus: Michael Almereyda's Hamlet as Cinematic Allegory – Carolyn Jess’s
essay
"Take
a Soldier, Take a King": The (In)Separability of King and Conflict in
Branagh's Henry V – Anita Helmbold’s essay
The
Duke and the Beggar in Shakespeare's 2 Henry VI - E. Pearlman’s essay
Staging
Government: Shakespeare's Life of King Henry the Eighth and the Government of
Generations - William Shakespeare - Critical Essay – David Glimp’s essay
Watching
Lear: Resituating the Gaze at the Intersection of Film and Drama in Kristian
Levring's The King Is Alive– Jennifer J. Bottinelli’s essay
Godard's
King Lear: Referents Provided Upon Request – Jessica M. Maerz’s essay
An
unhappy birthday for Shakespeare's tragic King Lear – Louise Jury’s article
Promises,
promises: 'Love's Labor's Lost' and the end of Shakespearean comedy –
Joseph Chaney’s essay
Branagh's
labour's lost: Too much, too little, too late - Gayle Holste’s essay
Paul
Pellikha’s essay
Shylock
and the struggle for closure – John Picker’s essay
Robert
Zaslavsky’s essay
Shakespeare
and the musicians from Venice – A. L. Rowse’s essay
Bottom's
Wife: Gender and Voice in Hoffman's Dream – Nicholas Jones’ essay
"Fancy's
images": Reinventing Shakespeare in Christine Edzard's The Children's
Midsummer Night's Dream - Mark Thornton Burnett’s essay
Vesalius'
'Fabrica' and Shakespeare's 'Othello': anatomy, gender and the narrative
production of meaning - Andreas Vesalius, William Shakespeare - Howard
Marchitello’s essay
Shakespeare
after Columbine: Teen Violence in Tim Blake Nelson's "O" -
Gregory M Colón Semenza’s essay
Pop
goes the Shakespeare: Baz Luhrmann's William Shakespeare's Romeo + Juliet –
Elsie Walker’s essay
Misshapen
chaos of well-seeming form: Baz Luhrmann's Romeo + Juliet – Crystal Downing’s
essay
Baz
vs. the Bardolaters, or why William Shakespeare's Romeo + Juliet deserves
another look – Lucy Hamilton’s essay
Taming
10 Things I Hate About You: Shakespeare and the Teenage Film Audience –
Monique L. Pittman’s essay about a film version of “The Taming of the Shrew”
Ariel
and Prospero's Modern-English Adventure: Language, Social Criticism, and Adaptation
in Paul Mazursky's Tempest – Paul Haspel’s essay
Shakespeare
and the subaltern - response to article by Guy Endore on William Shakespeare's
"The Tempest" – Annette Rubinstein’s essay
The Tempest
as a Masque - Ng
Yi-Sheng’s essay
The
Tempest – Art vs. Nature - an essay
by Sia Rouh Phin
The
Tempest – Prospero Context – an essay by Jacqueline Wong
The Tempest –
Prospero as Ruler – an essay by Ng E-Ching
The
shadow of levelling in 'Timon of Athens.' – Jonathan Baldo’s essay
"Now
is a time to storm": Julie Taymor's Titus – Elsie Walker’s essay
"Some
device of further misery": Taymor's Titus brings Shakespeare to film
audiences with a twist - Mary Lindroth’s essay
Sexuality
as a signifier for power relations: using Lavinia, of Shakespeare's 'Titus
Andronicus.' – Bernice Harris’ essay
Inter-cutting
in Trevor Nunn's Twelfth Night - Philippa Sheppard’s essay
Tracing
a heterosexual erotics of service in 'Twelfth Night' and the autobiographical
writings of Thomas Whythorne and Anne Clifford - Mary Ellen Lamb’s essay
Allegorical
impulses and critical ends: Shakespeare's and Spenser's Venus and Adonis - Sayre
N. Greenfield’s essay
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