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A Flavour of the Book: “She sighed out loud and
thought about the best way to carry Vincent upstairs when all her woe was
blasted away by the shock of sheer terror. There was a face.
A horrible face. Pressed to
the fanlight above the door, a bald, shaved dome with piggy-mean eyes glared
in. She wanted to scream, to
shriek out loud but nothing came.
A thud at the door. They
were trying to charge it open…”
The Authortrek View: This is a brilliant second
novel from Helen Walsh. It starts off in Warrington, near Liverpool, in
1975. Robbie Fitzgerald is about
to achieve his dream of becoming a star on the cabaret circuit, as he’s been
spotted by Dickie Vaughan, the legendary talent manager. Robbie can’t wait to get home, to tell
his pregnant wife, Susheela.
Unfortunately, Robbie takes too long to get home… What happens that
night will forever haunt this family.
Not that there hadn’t been problems before, as Robbie had felt compelled
to court Susheela on walks in the countryside, away from the prying eyes that
disapprove of his union with a Malaysian Tamil. Susheela does her best to adapt to her adopted country, but
her adopted country doesn’t seem all that keen on her, and the violence she
suffers forces her to hide herself away.
Not even a move away from the rough streets of Orford to respectable
Thelwall can help her come out of her shell or return the intimacy that Robbie
craves, despite her fears that Robbie may find solace with other women. Robbie’s dreams have also been
shattered, as he can never leave ‘Sheila’ alone at night, and he misses his
Orford roots. And although Robbie
works very hard, this is not an ideal situation for their children, Vincent and
Ellie, to grow up into. And yet
the title of the novel suggests a happy ending…
Vincent wants to be a writer, and Robbie tells him to “write from the
heart”, so that his writing will ring true, although the terrible irony is that
he knows nothing of Vincent’s heart, and does not know what his son has seen…
It’s debateable whether Helen Walsh is writing from the heart, or from that
other cliché of experience, but she does write with an incredible
verisimilitude and passion. Robbie
is not the greatest father in the world, and he does terrible things, but so
strong is Helen Walsh’s characterisation that you really feel for him. Helen Walsh’s depiction of the setting
and the era are also very convincing, especially the acid house scene in the
late 80s. The title of the novel
may borrow from Once Upon a Time in America, but her narrative is far
more enthralling than Sergio Leone’s (although the subject matter is very
different). Robbie Fitzgerald’s
soulful voice has the power to touch everyone, much like Helen Walsh’s plain
but powerful prose. Once Upon a
Time in England is a fantastic read from an immensely talented author.
You
can read a resume of the book on our Amazon store
below. To find out more about the
editor, please visit our Helen Walsh page.
If you have any more details about this book or a
review you can send it to authortrekreview@authortrek.com.
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