Jonathan Franzen is the author
of “The
Twenty-Seventh City” (1988), “Strong Motion”
(1992), “The
Corrections” (National Book Award, 2001), “How
to Be Alone: Essays” (2002), and “The
Discomfort Zone: A Personal History”.
Visit Jonathan
Franzen's homepage
BBC
Newsnight interview with Jonathan Franzen
The
Esquire Conversation - interview with Sven Birkerts
Only Correct -
Jonathan Franzen talks to Laura Miller. It's most refreshing to see that
Franzen doesn't usually look as imposing as he does in his official author
photograph. The camera never lies, but one of these is definitely telling
porkies
Jonathan
Franzen Uncorrected – Dave Weich talks to Jonathan Franzen
Why experimental
fiction threatens to destroy publishing, Jonathan Franzen, and life as we know
it – an article by Ben Marcus attacking Jonathan Franzen’s disparaging view
of experimental fiction
How
Jonathan Franzen Learned to Stop Worrying (Sort of) – This “Time” interview
contain’s Jonathan Franzen’s reaction against the above article by Ben Marcus
Having
Difficulty with Difficulty – Ben Greenman discusses experimental fiction
with Jonathan Franzen
Franzen
‘regrets’ Oprah row – in an interview with the BBC’s Tim Sebastian
An
Author’s Story – a Jonathan Franzen interview with Nina Willdorf
Franzen warns
political writers – not to comment on politics during the 2004 US
presidential election
Correcting the past
– Alden Mudge’s interview with Jonathan Franzen
Jonathan
Franzen: the truth about me – Jonathan Franzen interviewed by “The
Independent”
Franzen’s
Folly: the novelist vs. High Art’s Dark Other – an article by Charles Paul
Freund
The following are essays on Jonathan Franzen’s work:
Annesley, James "Market Corrections: Jonathan
Franzen and the "Novel of Globalization""
Journal of Modern Literature - Volume 29, Number 2, Winter 2006, pp. 111-128
Indiana University Press
McLaughlin,
Robert L. "Post-Postmodern Discontent: Contemporary Fiction and the Social
World"
symploke - Volume 12, Number 1-2, 2004, pp. 53-68
University of Nebraska Press
Hipsky,
Martin "Post-Cold War Paranoia in The Corrections and The Sopranos"
Postmodern Culture - Volume 16, Number 2, January 2006,
The Johns Hopkins University Press
The
Corrections - read the first chapter in an extract from The Guardian
Amazon.com -
has the first 24 pages of the book
Kevin Patrick Mahoney takes a look at the first chapter
or so of Jonathan Franzen's third novel, “The Corrections”.
Zoysia -
a definition
gerontocratic - p. 3 – is rule by elders
Leis - p. 6 Enid and Alfred
have obviously been to Hawaii
Ethan
Allen - the homepage
Epcot Center - p.7 is part of Disney World
aqua
regia - p.8 - a definition
The Book of Changes - p.9 is the I Ching
Crepuscular -
p. 11 a definition. "Despite no longer knowing where he was or at
what point he'd entered the woods of this sentence" - if Franzen had
written this sentence in High School, his knuckles would have been severely
rapped. Thus does Jonathan Franzen liberate himself from all those years
of having to write "correct" English. A sentence may not always
have a verb and will still make sense, as I always tried to tell my own
teachers. Franzen subverts the laws of grammar to create a superb
literary effect.
epater les bourgeois - p. 19 means "shock the
middle class"
Xanax -
p. 20 is used to relieve anxiety